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Crimson Poem 深​紅​之​詩

by Yikii

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  • Crimson Poem - Marbled LP
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about

Yikii’s Crimson Poem 深紅之詩 exists at the foggy threshold where dreams become nightmares. The Changchun-based Chinese producer has released over 20 albums and mini-albums in her relatively short career, but none of them resonate with the same trembling intensity as this latest LP. “It’s the closest to the colour and atmosphere of the new world I imagined, compared to the previous albums,” says Yikii about the relative completeness of what could be described as her first proper full-length. It takes its cue from a particular interest in linear time, where Yikii asks, "if we can meet with the wonders of this world, will there be a new beginning in the next, or will it all fall apart?"

Crimson Poem 深紅之詩 consistently plays with this tension. There’s the rising dread of a hollow hand drum and other traditional instruments knocking up against each other, before they swell into waves of rising choral patches and layered, off-tune chanting on “Five Layers Of Crimson Snow 五重絳雪”. Then there’s the lonely piano and flute that weaves through its own resonance before exploding into noise and dissonance on “Phantasmagoria! 千燈幻景”. These, along with the drunken waltz to close “Liminal Space 虛與實”, echo the eerie fade of a psychological horror.

Inspired by ambient, gabber and post-club; contemporary composition, avant-pop and nursery rhymes, Crimson Poem 深紅之詩 is Yikii’s most complete manifestation of her ongoing creative focus on “sadness and despair in hazy beauty". It’s the surreal sound of a kind of trance-like, in-between state, a hypnagogia that’s not to be confused with the washy psychedelia of ‘hypnagogic pop’. The music here is instead detailed and intentional, with a dark-light chiaroscuro created by the shadows of a haunted gothic. “They are always one step ahead of others in digging deeper into the spiritual realm,” Yikii explains, citing dark fantasy games like Fatal Frame, Fran Bow, and Little Misfortune as aesthetic inspirations.

Initially intended to be an album of mainly microtonal music and special tunings, Crimson Poem 深紅之詩 has become more of an exercise in world-building rather than straight up music making. There’s an anxious beauty here, where destructive noise meets delicate atmospheres that build and bloom. “I want to create my own world through music and drawings, which exists in a separate time and space, and if I leave, you can still feel my existence through them. From there you can experience a whole world that is alive.”

credits

released October 1, 2021

All music written, sung, composed, arranged, produced, mixed by Yikii
Mastered by Rashad Becker

Photography by Yikii, design by Niels Wehrspann

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Yikii

◟◟◟❀

yikiitong.wixsite.com/nonbeing

歌颂月光枯糜之地,
tʷʰə̃ʊ̃ nʷɥenzɹ̩ ɹu nʷeɕi tʷʰæe pæ̃ tsʰæ̃nzɹ̩ tjɐoo.
空虚的低频涌动,
乌有之物撞击着肋骨。
我是你不认识的我,
倒在围篱,
没有名字的我。

水银滑落,
掀起恍惘与惊恐。
一触即碎的浅薄,
灌满鲜艳的池塘。

如此急切地闪烁,
闪烁,
到最终丧失意义。
一次又一次星群被绞死。

tukʰj̈ə̃ʊ̃ æepə̃ʊ̃ ɕʷæ̃ɐ̃ ɥẽɪ̃po,
花的茧房吸入所有寒冷,
蔚蓝灾难平息。

寂寥。

渴望已久的墓碑,在此刻
竖立。

-Yikii
... more

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